Skip to main content

CinBalada: A multiagent rhythm factory

Abstrac

CinBalada is a system for automatic creation of polyphonic rhythmic performances by mixing elements from different musical styles. This system is based on agents that act as musicians playing percussion instruments in a drum circle. Each agent has to choose from a database the rhythm pattern of its instrument that satisfies the “rhythmic role” assigned to him in order to produce a collectivelyconsistent rhythmic performance. A rhythmic role is a concept that we proposed here with the objective of representing culture-specific rules for creation of polyphonic performances.

References

  1. J. A. Biles. GenJam: A Genetic Algorithm for Generating Jazz Solos. InProceedings of the International Computer Music Conference, San Francisco, 1994.

  2. J. Bilmes. Timing is of the Essence: Perceptual and Computational Techniques for Representing, Learning, and Reproducing Expressive Timing in Percussive Rhythm. MSc Thesis, Massachusetts Institute of Technology, Aug 1993.

  3. A.R. Brown. Exploring Rhythmic Automata.Applications on Evolutionary Computing, volume 3449, Berlin: Springer-Verlag, 2005.

    Google Scholar 

  4. A. R. Burton. A Hybrid Neuro-Genetic Pattern Evolution System Applied to Musical Composition. PhD Thesis, University of Surrey (UK), 1998.

  5. M. Dahia, H. Santana, E. Trajano, C. Sandroni, G. Cabral, G. Ramalho. Using Patterns to Generate Rhythmic Accompaniment for Guitar. In:Proceedings of Sound and Music Computing, Paris, 2004.

  6. J. M. Diaz-Báñez, G. Farigu, F. Gómez, D. Rappaport, G. Toussaint. El Compás Flamenco: A Phylogenetic Analysis. InProceedings of BRIDGES: Mathematical Connections in Art, Music and Science, Winfield (USA), pp. 61-70, 2004.

  7. A. Eigenfeldt. The Creation of Evolutionary Rhythms within a Multi-Agent Networked Drum Ensemble. In: Proceedings of theInternational Computer Music Conference, Copenhagen, 2007.

  8. T. Gifford, A. Brown. The Ambidrum: Automated Rhythmic Improvisation. In: Proceedings of the Australasian Computer Music Conference, pp. 44-49, Adelaide, Australia, 2006.

  9. M. Gimenes, E. R. Miranda. A memetic approach to the evolution of rhythms in a society of software agents. In:Proceedings of the X Brazilian Symposium on Computer Music (SBCM 2005), 2005.

  10. F. Gómez, A. Melvin, D. Rappaport, G. Toussaint. Mathematical Measures of Syncopation. InProceedings of BRIDGES: Mathematical Connections in Art, Music, and Science, Banff (Canada), pp.73–84, 2005.

  11. K. Gustafson. The graphical representation of rhythm.Progress Reports from Oxford Phonetics (PROPH), 3, pp. 6–26, 1988.

    Google Scholar 

  12. M. Hart. Rhythm As A Tool For Healing and Health in The Aging process, Testimony Before the U.S. Senate Committee on Aging, 1991.

  13. D. Horowitz. Generating Rhythms with Genetic Algorithms. InProceedings of the 1994 International Computer Music Conference, Aarhus (Denmark), 1994.

  14. N. R. Jennings, P. Faratin, A. R. Lomuscio. Automated Negotiation. In:Proceedings of the 5th International Conference on Practical Application of Intelligent Agents and Multi-Agent Systems, PAAM, pp. 23-30, 2000.

  15. F. Lerdahl, R. Jackendoff.A Generative Theory of Tonal Music. MIT Press, Cambridge, 1983.

    Google Scholar 

  16. J. London. Hierarchical Representations of Complex Meters. In:Proceedings of the 6th International Conference on Music, Perception and Cognition, Keele University (UK), 200.

  17. J. M. Martins, M. Gimenes, J. Manzolli, A. Maia. Similarity Measures for Rhythmic Sequences. In:Proceedings of the X Brazilian Symposium on Computer Music (SBCM 2005), 2005.

  18. J. M. Martins, E. R. Miranda. A Connectionist Architecture for the Evolution of Rhythms.Applications of Evolutionary Computing, volume 3907, Berlin: Springer-Verlag, 2006.

    Google Scholar 

  19. J. M. Martins, E. R. Miranda. Emergent Rhythmic Phrases in an A-Life Environment. In:Proceedings of the Workshop on Music and Artificial Life — European Conference of Artificial Life (ECAL), Lisbon (Portugal), 2007.

  20. D. Murray-Rust. VirtuaLatin — Agent Based Percussive Accompaniment. MSc Thesis in Informatics, School of Informatics — University of Edinburgh, 2003.

  21. P. Nauert. Division- and Addition-Based Models of Rhythm in a Computer-Assisted Composition System.Computer Music Journal, 31(sn4), pp. 59–70, Cambridge: MIT Press, 2007.

    Google Scholar 

  22. F. Pachet. Rhythms as Emerging Structures. InProceedings of the International Computer Music Conference 2000, Berlim, 2000.

  23. G. Papadopoulos, G. Wiggins. AI Methods for Algorithmic Composition: A Survey, a Critical View and Future Prospects. InProceedings of the AISB’99 Symposium on Musical Creativity, Edinburgh, pp. 110–117, 1999.

  24. A. Pazos, A. S. del Riego, J. Dorado, J. R. Cardalda. Genetic Music Compositor. InProceedings of the Congress of Evolutionary Computation 1999 (CEC’99), Washington, pp. 885-890, 1999.

  25. M. Pearce. Generating Rhythmic Patterns: a Combined Neural and Evolutionary Approach. MSc Thesis in Artificial Intelligence, School of Informatics, University of Edinburgh, 2000.

  26. M. T. Pearce, G. A. Wiggins. Towards a framework for the evaluation of machine compositions. InProceedings of the AISB’01 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences, York (England), pp. 22–32, 2001.

  27. A. Pease, D. Winterstein, S. Colton. Evaluating machine creativity. InProceedings of the International Conference on Case Based Reasoning 2001, Vancouver, 2001.

  28. M. Salazar. Batucadas de Samba. Lumiar Editora, Rio de Janeiro, 1991.

    Google Scholar 

  29. P. A. Sampaio, P. Tedesco; G. Ramalho. CInBalada: um Laboratório Multiagente de Geração de Ritmos de Percussão. In:Proceedings of the X Brazilian Symposium on Computer Music (SBCM 2005), 2005.

  30. P. A. Sampaio. CInBalada — Um Laboratório Rítmico. Master’s Thesis. CIn (Center of Informatics) — UFPE (Federal University of Pernambuco), 2006.

  31. C. de O. Santos, T. S. Resende.Batuque book maracatu: baque virado e baque solto. Lumiar, Recife, 2005.

    Google Scholar 

  32. I. Shmulevich, D. J. L. Povel. Measures of Temporal Pattern Complexity.Journal of New Music Research, 29(1), pp. 61–70, 2000.

    Article  Google Scholar 

  33. P. M. Todd, G. M. Werner. Franksteinian Methods for Evolutionary Music Composition. In: N. Griffith and P. M. Todd (eds.),Musical Networks — Parallel Distributed Perception and Performance. MIT Press, p. 313, 1999.

  34. N. Tokui, H. Iba. Music Composition with Interactive Evolutionary Computation. In:Proceedings of the 3 rd International Conference on Generative Art, Milan, 2000.

  35. G. Toussaint. A Mathematical Analysis of African, Brazilian and Cuban Clave Rhythms. InProceedings of BRIDGES: Mathematical Connections in Art, Music and Science, Towson (USA), 2002.

  36. G. Toussaint. Classification and Phylogenetic Analysis of African Ternary Rhythm Timelines. InProceedings of BRIDGES: Mathematical Connections in Art, Music and Science, Granada (Spain), pp. 25–36, 2003.

  37. G. Toussaint. Algorithmic, Geometric, and Combinatorial Problems in Computational Music Theory. InProceedings of X Encuentros de Geometria Computacional, Sevilla (Spain), pp. 101-107, 2003.

  38. G. Toussaint. A Comparison of Rhythmic Similarity Measures. Technical report SOCS-TR-2004.6, School of Computer Science, McGill University (Canada), 2004.

  39. G. Toussaint. The Geometry of Musical Rhythm. InProceedings of the Japan Conference on Discrete and Computational Geometry (JCDCG 2004), pp. 198–212, 2004.

  40. G. Toussaint. Mathematical Features for Recognizing Preference in Sub-Saharan African Traditional Rhythm Timelines. InProceedings of the 3rd International Conference on Advances in Pattern Recognition (ICAPR 2005), Bath (UK), pp. 18–27, 2005.

  41. D. Tzimeas, E. Mangina. A Dynamic GA-Based Rhythm Generator. Trends in Intelligent Systems and Computer Engineering, volume 6, pp. 57–73, Berlin: Springer-Verlag, 2008.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Open Access This article is distributed under the terms of the Creative Commons Attribution 2.0 International License ( https://creativecommons.org/licenses/by/2.0 ), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Reprints and permissions

About this article

Cite this article

Sampaio, P.A., Ramalho, G. & Tedesco, P. CinBalada: A multiagent rhythm factory. J Braz Comp Soc 14, 31–49 (2008). https://doi.org/10.1007/BF03192563

Download citation

  • Received:

  • Accepted:

  • Issue Date:

  • DOI: https://doi.org/10.1007/BF03192563

Keywords